This man poured concrete around a power strip, chemically aged copper with ammonia, rusted rebar with peroxide, faked a damaged cable for vibes, and vibrated out the air bubbles with a dildo. This is the most unhinged and delightful Show HN I've ever seen.
I don't like it, from a pure brutalistic view point this obviously doesn't make any sense, it isn't practical and it doesn't make any effort to create a shape that is esthetically pleasing. The urban decay is even more outrageous, the whole appeal of urban decay is that it is "real", it's the thinking about all of people that went through the same structure throughout the years. Of cause it doesn't mean you can't make art about or featuring urban decay, but you have to be smart about it.
Something that would be useful in my case is a monitor stand stand. Does anyone know why almost no current monitor can be raised so that the upper edge is at eye level? Is it due to incompetence among the current breed of designers? Quite a few of my colleges have a stack of books beneath the monitor stand.
Monitor arms are cheap enough and better than a stand. Clamp the arm to an edge and you can put things under the monitor, plus put the monitor where you want it.
It’s unfortunate that brutalism has become synonymous with “crumbling concrete”. That was certainly not the intention of the brutalist architects, but rather a side effect of the poor quality of the (sometimes experimental) concrete mixtures. 21st century (neo-)brutalist buildings won’t suffer from this.
My favorite map is ‘One Need Not Be a House’ by Robert Yang, which was inspired by Louis Kahn's "brick brutalism" masterpieces in Bangladesh and India, as well as contemporary level design like The Silent Cartographer. The artist writes about their process on their blog post, https://www.blog.radiator.debacle.us/2026/01/one-need-not-be...
The map jam is standalone and uses custom assets so you don’t need a copy of Quake to enjoy it. Check the website for the ‘standalone’ variant.
Oh man... I've never worked with concrete, but I would love to make a desk stand that looked like a little montréal métro station. They're all rather brutalist, and have flat tops haha
yeah i really want to try and make something like this. I was thinking of getting some spraypaint and making it look like part of it had been tagged with graffiti. Maybe one edge is broken so it looks like something I just found. I don't have the faintest idea of architecture styles, just thinking what would look cool and contrast with polished, refined, technology like a macbook or something.
If you want to get a feel of what brutalist architecture is like up close, go to the Barbican in london if you can.
Its quite surreal. Very much in-your-face concrete exposure. Yet, to walk and experience it with your eyes is a study of contrasts: a giant, comparitively modern, greenhouse, has a glass roof open to the sky and yet many floors have no light or windows at all. And in the outdoor spaces, like the fountain/canal running through the complex the concrete will sort of be in the background and lets you focus on everything else: the water, the swans and the people around.
Juxtapose that to low hanging exposed concrete roofs and walls in closed passages could make one feel constrained/claustrophobic/yearning for light.
The Barbican is not a typical brutalist construction. The term brutalist refers to béton brut, which means raw concrete. I.e. you can see the shape of the wooden slats used as a cast. The concrete in the Barbican was finished by drilling to create a dappled pattern, which obliterated the shape of the slats.
There are also lots of post modern elements. For example, the columns of the girl’s school have pyramids at the top to resemble pencils.
The south bank has more buildings that are a purer expression of brutalism.
> The Barbican is not a typical brutalist construction.
Brutalism grew out of the post war rebuilding period. Wikipedia[1] lists it as Brutalist - while not an authority in all things it seems supported to me.
As well given the significant news [2] of this morning, I'm curious if we might see a growth/wave of Brutalist construction in the nearish future.
Personally I just switched to TKL keyboards (no numpad). While I did use it occasionally, it wasn't often enough to feel inconvenienced without it... All the buttons are still there after all, and if I'm already at home row, it isn't any slower.
May be worth considering too, especially if you're looking for a good keyboard with eg magnetic switches vs shitty rubberdome
I went to https://www.keyboardco.com/ and searched for left-handed and the keyboard in the photo popped up, as well as a bunch of weirder and wonderfuler ones.
Yeah I would suggest you stick some wood on your left side of your current keyboard, for a few days to see if you can adapt... I always used that space as a resting place, so having it occupied totally broke my flow.
(If I needed a numpad I would have it standing alone.. those are easy to find)
It's not clear what the change is, whether it is curation by hand or some other metrics, but it's a positive change, the old Show HN was getting flooded, as recently discussed. ( Although I can't work out how to find that discussion. )
I wonder what the practical limit is on how thin and light you can make concrete for non-structural items? I can see someone selling concrete mugs on Etsy, for example. Maybe with clever use of fillers and thin walls you could have a version of this you could actually lift. It looks great, especially in contrast to a white IKEA-style office.
Re: decay, I regret not taking more photos of the final days of the RBS "Ziggurat": https://www.edinburghlive.co.uk/news/edinburgh-news/stark-ph... ; at the end it had plants growing from much of the upper levels, making it look extremely Horizon Zero Dawn.
People who make concrete counter tops use a lot of fibreglass fillers to get them fairly thin but if you wanted it truly light weight you’d probably need to make it out of a dense foam and coat it with something that looks like concrete.
There are a lot of additives to concrete - the industry is large and has put a lot of money into research over the decades. You can read many many books on the pros and cons of different options.
oh wow that takes me back. I remember touring, i think it was Texas A&M, in HS and they showed off their "concrete canoe" to the group. This would have been in the late 1900s.. 1995 or around there.
This is awesome, one of my friends actually wanted to make a laptop top and bottom case from concrete. Thin enough it could even work but would still be heavy. Definitely very stylish.
Related: this design studio in Hungary creates a lot of concrete products, including designer bags. https://www.stylemagazin.hu/kiemelt-hir/A-het-designere-Ivan...
This is pretty cool looking, I like it, it must be really heavy though.
> For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.
I used work on foundations for warehouses, huge concrete blocks as anchor points and this is exactly how we got the bubbles out, we had a huge metal vibrator they call them high-frequency concrete pokers.
At first I thought you were talking about an actual rotating fan, which would be an awesome addition to this. Just a small PC fan running at a very low RPM built into the side in a circular cutout, with that worn metal patina look.
Never mind placing it, bringing it to the place where it should be, er, placed might also be a challenge. Unless you can drive a forklift into your office...
I asked for a monitor stand at work, back in the day. No money! So I went to the loading dock, found a wooden pallet for the little AC units we installed in racks, put that on my desk. Voila - monitor stand.
Same method though. There's a plethora of vibrating things to choose from. I suppose you could mold a large silicone tentacle to put on a jackhammer, too, and use that to fish for bubbles in your cement soup. Call the tool what you want, you haven't changed the method.
I love it, although if you're not into urbex or didn't grow up with brutalist architecture (soviet union, east germany, even parts of Zurich downtown) I guess in that case you don't really have anything to tie it to and without that connection it just looks like a piece of junk.
My laptop has little rubber feet, so it dosn't scratch on its underside. But yes, the piece is solid concrete, so you wouldn't want to bash anything fragile against it.
Yes, Sam is probably just having a bit of fun here, but I think it's worth presenting brutalism correctly as it's often so misunderstood.
Concrete is simply the mass production medium of the time, many of the patterns and moulds used in Barbican for example feature pretty timber imprints, scalloping patterns, painstakingly pick-hammered textured panels, or pleasing swooping shapes.
Further there is always space for glass, brass, Terrazzo and lighting.
Sam's design does feel cold, unnatural and broken, definitely not what brutalist living is about.
> cold, unnatural and broken, definitely not what brutalist living is about.
This can often be the actual experience of it, though. Part of why it's so divisive. Personally I'm on the "looks great, wouldn't want to actually live there" side.
The Barbican is an example of how good it can be when properly maintained by a community. There are plenty of less prestigious examples where the community cheered their demolition.
My subjective appreciation of building materials depends essentially on how gracefully they age. I find that concrete does not age well... and dislike brutalism for this specific reason.
Most brutalism was never intended to last. It was intended to be a quick/cheap answer to get people acceptable housing in the cities. Then they would build something nicer for people to live in as the economy gets richer. Which is why it so often is associated with decay these days - the structure still stands, but it has outlasted the expected lifespan.
There are burtalism structures that were intended to be beautiful and last. They do that well (well beauty is in the eye of the beholder), but the majority was quick and cheap above all else.
My understanding of brutalism is that it’s an extreme interpretation of “function over form”. The most brutalist laptop stand would be a cardboard box turned upside down, not a slightly impractical block of concrete carefully manufactured to evoke a certain aesthetic.
Should have stolen a broken piece of concrete off a street and repurpose it to be a laptop stand. At least that would be authentic, and contributing to urban decay at his location.
I love concrete as a medium but that's got to be heavy af and I would manage to smack my elbow on it all the time as well as smash my coffee mug on it.
But it's still a cool as hell project. People need to do more things just because they want to, and to hell with what anyone else thinks.
That's debatable, but it's a moot point; it's pastiche, so it doesn't have the same goals or motivations as the original.
https://en.wikipedia.org/wiki/Pastiche
My favorite map is ‘One Need Not Be a House’ by Robert Yang, which was inspired by Louis Kahn's "brick brutalism" masterpieces in Bangladesh and India, as well as contemporary level design like The Silent Cartographer. The artist writes about their process on their blog post, https://www.blog.radiator.debacle.us/2026/01/one-need-not-be...
The map jam is standalone and uses custom assets so you don’t need a copy of Quake to enjoy it. Check the website for the ‘standalone’ variant.
Sorry for derailing! Cool laptop stand!
I do really like the fast pace of Doom Eternal and Dark Ages which you can see here I think
https://commons.wikimedia.org/wiki/File:Station_Radisson_Met...
These two come to mind:
- https://www.youtube.com/watch?v=06OQmIiYQMA
- https://www.youtube.com/watch?v=nUA0tOrNgpc
Its quite surreal. Very much in-your-face concrete exposure. Yet, to walk and experience it with your eyes is a study of contrasts: a giant, comparitively modern, greenhouse, has a glass roof open to the sky and yet many floors have no light or windows at all. And in the outdoor spaces, like the fountain/canal running through the complex the concrete will sort of be in the background and lets you focus on everything else: the water, the swans and the people around.
Juxtapose that to low hanging exposed concrete roofs and walls in closed passages could make one feel constrained/claustrophobic/yearning for light.
There are also lots of post modern elements. For example, the columns of the girl’s school have pyramids at the top to resemble pencils.
The south bank has more buildings that are a purer expression of brutalism.
Brutalism grew out of the post war rebuilding period. Wikipedia[1] lists it as Brutalist - while not an authority in all things it seems supported to me.
As well given the significant news [2] of this morning, I'm curious if we might see a growth/wave of Brutalist construction in the nearish future.
1 - https://en.wikipedia.org/wiki/Barbican_Centre
2- https://news.ycombinator.com/item?id=47674286
I've been looking and looking, but the best I can find is using a narrow keyboard with a separate number-pad only keyboard on the left. I'm in the US.
(It's better for your right shoulder to keep the mouse closer to your body like in the picture.)
[1] https://www.posturite.co.uk/left-handed-mechanical-keyboard
May be worth considering too, especially if you're looking for a good keyboard with eg magnetic switches vs shitty rubberdome
(If I needed a numpad I would have it standing alone.. those are easy to find)
It's easier to adapt to than than putting the mouse in my left hand!
I am indeed a right-handed user, which is why I want my mouse within reach on the right.
found this one as well, don't know the brand: https://www.bloodyusa.com/product.php?pid=11&id=166
It's not clear what the change is, whether it is curation by hand or some other metrics, but it's a positive change, the old Show HN was getting flooded, as recently discussed. ( Although I can't work out how to find that discussion. )
Re: decay, I regret not taking more photos of the final days of the RBS "Ziggurat": https://www.edinburghlive.co.uk/news/edinburgh-news/stark-ph... ; at the end it had plants growing from much of the upper levels, making it look extremely Horizon Zero Dawn.
You could likely also pour something like this out of aircrete, which would make it a lot lighter even at the same thickness
You need a proper Soviet-esque workstation of a laptop to sit on that concrete block - go get yourself a nice, chunky ThinkPad T530.
> For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.
I used work on foundations for warehouses, huge concrete blocks as anchor points and this is exactly how we got the bubbles out, we had a huge metal vibrator they call them high-frequency concrete pokers.
EDIT: https://store.steampowered.com/app/870780/Control_Ultimate_E...
The maze level on the original game has to be an all-time best level design.
well, the only worthy contenders are DEATHLOOP and Dishonored 2 :>
but yeah, Remedy does deserve every award they got with Control
you'll only know when you find out the hard way
https://www.amazon.com/s?k=concrete+vibrator
But I love the hacker feel of it.
It's wonderful and I love that someone else loves it. The care put into it is fantastic. Vive la différence.
(https://en.wiktionary.org/wiki/vive_la_diff%C3%A9rence for those who may not recognize that phrase.)
Concrete is simply the mass production medium of the time, many of the patterns and moulds used in Barbican for example feature pretty timber imprints, scalloping patterns, painstakingly pick-hammered textured panels, or pleasing swooping shapes.
Further there is always space for glass, brass, Terrazzo and lighting.
Sam's design does feel cold, unnatural and broken, definitely not what brutalist living is about.
https://www.theguardian.com/artanddesign/gallery/2016/feb/22...
https://www.structuralrenovations.co.uk/portfolio/barbican-e...
https://www.barbicanliving.co.uk/barbican-story/construction...
This can often be the actual experience of it, though. Part of why it's so divisive. Personally I'm on the "looks great, wouldn't want to actually live there" side.
The Barbican is an example of how good it can be when properly maintained by a community. There are plenty of less prestigious examples where the community cheered their demolition.
There are burtalism structures that were intended to be beautiful and last. They do that well (well beauty is in the eye of the beholder), but the majority was quick and cheap above all else.
Imo brutalism is monolithic and unyielding. This is opposite, with the sturdy concrete yielding into plant overgrowth and exposed rebar.
Loved the brutalist movie, this actually seems quite nice assthetically.
I think a "clean" and "contemporary" version of this would look amazing as well:
Along the lines of: https://www.modustrialmaker.com/blog/2018/8/14/making-an-imp...
Maybe with: (for weight) https://en.wikipedia.org/wiki/Foam_concrete (there are plenty of DIY versions of this: https://www.youtube.com/watch?v=z4_GxPHwqkA
I appreciate++ the design except for the too-perfect rebar and the exposed wire directly _in_ the concrete. Pros would use a conduit methinks.